Left Handed Guitars | Lindo Guitars

Lindo B-STOCK Left Handed Purple Swallow V1 Electro Acoustic Guitar (Minor Cosmetic Imperfections)

admin — Thu, 12 Oct 2023 13:16:04 +0000

A left-handed second chapter

THE SWALLOW
STILL HAS A STORY.

This is a brand-new left-handed Swallow with a small visual history already written into it. It is offered as B-stock because minor cosmetic imperfections from hand-made manufacturing did not meet Lindo’s strict cosmetic quality-control standard—not because its musical story has ended before it begins.

Some imperfections can be difficult to capture in photographs. What remains is a full-size electro-acoustic guitar with the Swallow’s purple graphic-art finish, Dreamcatcher inlay and a left-handed layout made for a player ready to make it their own.

PLEASE NOTE THE CONDITION. This guitar is discounted specifically for minor cosmetic imperfections. It is fully set up before dispatch, so the condition is clear from the first page and the next chapter can begin honestly.

Colour, line and room to play

A purple finish with a point of view.

The Swallow’s graphic feathers give the body an identity that arrives before the first chord. A spruce top meets linden sides and back beneath the design, while the dreadnought cutaway leaves room to follow a melody higher up the 20-fret neck.

At 41 inches full size with a 25.5-inch scale, it is an acoustic guitar made for unhurried sessions at home, rehearsal rooms and the smaller stages that become part of a player’s story.

Distinct by design. The graphic finish is part of the guitar’s visual language; the B-stock condition note above remains the honest description of this individual piece.

The purple graphic-art body and cutaway silhouette of the left-handed Swallow.

A mark at the centre

The Dreamcatcher waits at the 12th fret.

The Dreamcatcher inlay gives the fretboard a quiet point of focus: an individual detail to meet as the hand travels up the neck. Around it sits a solid-walnut fretboard and bridge, chosen for their natural grain and dark contrast against the purple design.

It is a piece of visual storytelling that asks for a closer look without getting in the way of the next chord.

The Dreamcatcher inlay at the 12th fret, framed by the solid-walnut fretboard.

Where the instrument begins

Simple tuning, a calm starting point.

The Swallow’s headstock follows the same graphic language as its body. Chrome smooth-action alloy machine heads offer familiar, measured adjustment, while the left-handed layout places that everyday ritual exactly where the player expects it.

The reverse view keeps the story grounded: clean construction, two-way truss rod support and a catalpa neck with a slim C-shape profile.

Graphic headstock with chrome smooth-action machine heads.

The reverse side: a quiet practical foundation.

When the room becomes larger

Find the setting, then choose the exit.

The F-4T preamp combines a built-in chromatic tuner, master volume and four-band EQ—bass, middle, treble and presence—in one control point. The piezoelectric pickup can then carry the Swallow to an amplifier, mixing desk or audio interface through 1/4-inch jack and balanced XLR outputs.

F-4T preamp with built-in chromatic tuner and four-band EQ.

1/4-inch jack and balanced XLR outputs for flexible connection.

A clear route from room to system. Tune on the guitar, shape the EQ and connect in the way the session asks.

Ready to travel

A padded gigbag for the next leg of the journey.

The included padded gigbag gives the Swallow a practical home between sessions. Together with the 9V battery and Allen key, it completes the useful things needed to begin with the instrument rather than searching for extras.

Before dispatch, every B-stock Swallow is fully set up by Lindo Guitars. The guitar’s cosmetic condition is disclosed; its playing setup is checked with the care it deserves.

Cosmetic-condition reviewPreamp testNeck reliefNut heightAction and fret checkFretboard treatmentTune-upFinal playability check

Padded gigbag included for the road between one session and the next.

The practical chapter

Specifications

Model	Lindo Left-Handed Swallow B-stock Electro-Acoustic Guitar
Condition	Brand-new B-stock with minor cosmetic imperfections from hand-made manufacturing; offered at a reduced price
Colour / finish	Purple graphic-art finish
Size / scale	41″ full size · 25.5″ scale
Body depth	100–120 mm
Top / sides / back	Spruce top · linden sides and back
Neck	Catalpa · slim C-shape · two-way truss rod
Fretboard / bridge	Solid walnut
Frets / nut / saddle	20 frets · 43 mm bone nut · compensated bone saddle
Pick-up / preamp	Piezoelectric pick-up · F-4T with four-band EQ and built-in tuner
Machine heads	Alloy with matte chrome finish
Strings	Steel, light gauge
Inlay / binding	ABS
Outputs	1/4-inch jack and balanced XLR
Included	Padded gigbag, 9V battery and Allen key

Hear and learn

Two ways to meet the Swallow.

The existing performance session and F-4T control guide are both kept here as separate, working videos: one for the guitar in use, one for the practical electronics at its side.

Sessions performance: the Swallow in a live musical setting.

F-4T guide: chromatic tuner and preamp controls explained.

The last word

AN HONEST SECOND CHAPTER,
READY FOR THE FIRST SONG.

A small cosmetic imperfection does not have to be the final word. For the left-handed player who connects with the Swallow’s colour, shape and story, this could be where the next one begins.

The post Lindo B-STOCK Left Handed Purple Swallow V1 Electro Acoustic Guitar (Minor Cosmetic Imperfections) appeared first on Lindo Guitars.

Lindo Left Handed Neptune SE V2 Electro Acoustic Guitar with F-4T Preamp and Padded Gigbag

Wed, 28 Apr 2021 16:06:00 +0000

A left-handed special edition

THE WOOD SETS
THE FIRST NOTE.

The Neptune SE V2 begins with grain, not decoration. A book-matched walnut top brings two natural halves into one considered surface, while an offset soundhole gives the familiar acoustic outline its own quieter rhythm.

Turn it over and open-pore satin mahogany continues the story across the back, sides and neck. In this left-handed edition, every line is arranged around the player it was made to meet.

Lefthanded by design

25.5″full scale length

20accessible frets

F-4Tonboard preamp

The instrument in the room

Full-size presence, shaped for the left hand.

At 41 inches, the Neptune SE V2 carries the familiar presence of a full-size electro-acoustic guitar. The cutaway opens a comfortable route towards the upper frets, while the offset soundhole and natural walnut figuring keep the silhouette unmistakably Neptune.

The effect is composed rather than loud: a modern acoustic whose special-edition character comes from the material itself.

Made to be played, not merely observed. The left-handed layout, cutaway and full 25.5-inch scale form the practical foundation beneath the natural finish.

The left-handed Neptune SE V2 at full scale, ready for the room.

Two sides of the same story

Walnut in front. Mahogany behind.

The book-matched walnut top supplies the first impression. Behind it, mahogany back and sides carry an open-pore satin finish that leaves the wood visually close and naturally understated.

A 100 mm body depth, walnut binding and mahogany neck tie the profile together without interrupting the grain.

Book-matched walnut top and open-pore satin mahogany back.

The body tells its own chapter

An offset soundhole with something inside to discover.

The cutaway body keeps all 20 frets within reach, while the offset soundhole changes the visual balance of the top. Look through it and the laser-engraved Planet Core label waits inside: a detail made for the player who looks twice.

The walnut fretboard and bridge continue the material theme beneath the hand. At the bridge, a compensated bone saddle works with the 43 mm bone nut to support accurate intonation across the fretboard.

Natural walnut figuring across the full-size cutaway body.

Offset soundhole with the laser-engraved Planet Core label inside.

The first turn of the string

Black locking tuners, measured one movement at a time.

The Neptune SE V2 uses black-finish locking machine heads with a 19:1 gear ratio. The locking mechanism reduces the need for repeated string winds and makes string changes more direct, while the fine ratio gives each tuning movement room to settle.

Front and back views keep the construction clear: a modern headstock that belongs to the same restrained visual language as the body.

Black 19:1 locking machine heads at the beginning of the string path.

The reverse view: locking hardware and clean mahogany structure.

When the room grows larger

Shape the voice, then decide where it travels.

The F-4T preamp combines a chromatic tuner, master volume and four-band EQ—bass, middle, treble and presence—in one practical control point. The piezoelectric pickup carries the guitar beyond its acoustic voice through a 1/4-inch jack or balanced XLR output.

F-4T preamp with illuminated chromatic tuner and four-band EQ.

1/4-inch jack and balanced XLR outputs for amplifier, desk or interface.

A choice of exits. Connect to an amplifier with the jack output, or take the balanced XLR route towards a mixing desk or audio interface.

Before the first proper chord

Checked by hand, then prepared for the road.

Before leaving Lindo Guitars, every Neptune SE V2 receives a full UK setup. Neck relief, nut height, action, frets, electronics and final playability are checked so the guitar begins its next chapter with the practical details already considered.

The included padded gigbag provides a home between those chapters, with an Allen key included for the instrument’s ongoing care.

Cosmetic checkPreamp testNeck reliefNut heightAction and fret checkFretboard treatmentTune-upFinal playability check

A full UK setup before the guitar leaves Lindo Guitars.

Padded gigbag included for the route between sessions.

The practical chapter

Specifications

Model	Lindo Left-Handed Neptune SE V2 Electro-Acoustic Guitar
Colour / finish	Natural · open-pore satin finish
Size / scale	41″ full size · 25.5″ scale
Body depth	100 mm
Top	Book-matched walnut
Sides / back	Mahogany
Neck	Mahogany · two-way truss rod
Fretboard / bridge	Walnut
Frets / nut / saddle	20 frets · 43 mm bone nut · compensated bone saddle
Machine heads	Black-finish 19:1 locking machine heads
Pick-up / preamp	Piezoelectric pick-up · F-4T with four-band EQ and chromatic tuner
Outputs	1/4-inch jack and balanced XLR
Strings	Light-gauge phosphor bronze
Inlay / binding	ABS inlay · walnut binding
Included	Padded gigbag and Allen key

Hear and understand

Two useful ways to meet the SE V2.

The original sound demonstration and F-4T guide are both preserved as separate working videos: one lets the guitar speak, while the other explains the electronics that carry it further.

Official Neptune SE V2 sound demonstration.

F-4T guide: preamp controls and chromatic tuner explained.

The last note

THE GRAIN BEGINS IT.
THE LEFT HAND CONTINUES IT.

The Neptune SE V2 leaves space for the player to complete the story—one chord, one room and one natural line at a time.

The post Lindo Left Handed Neptune SE V2 Electro Acoustic Guitar with F-4T Preamp and Padded Gigbag appeared first on Lindo Guitars.

Lindo Left Handed White Dove V2 Electro Acoustic Guitar and Padded Gigbag

wouary — Wed, 09 Sep 2020 15:13:00 +0000

A left-handed story in white

A QUIET SHAPE.
A PLACE TO BEGIN.

Some guitars announce themselves loudly. The White Dove V2 begins more gently: satin white under the light, a natural wooden edge around the body and a bird in flight where an ordinary soundhole might have been.

Look a little longer and the story gathers—walnut beneath the fingers, doves travelling along the fretboard, chrome catching the light and a left-handed guitar waiting for its first chord.

Lefthanded by design

25.5″full scale length

41″full-size body

TOPS-4Tpreamp and tuner

The first impression

White, but never plain.

The satin-white finish lets the silhouette breathe rather than shine like a mirror. Natural wood binding draws a quiet line around the body, while the cutaway gives the left hand a clear route towards the higher frets.

Beneath the finish is a familiar acoustic foundation: a laminated spruce top, linden back and sides, and a catalpa neck with a slim C-shape profile.

Familiar where it matters. Full-size proportions, a 25.5-inch scale and a left-handed layout create the practical beginning; the details give the White Dove its own voice.

The satin-white cutaway silhouette, framed by natural wood.

Where the design takes flight

A bird where a circle should be.

The dove-shaped soundhole is cut into the spruce top itself. Follow the neck upward and a small flock appears across the solid-walnut fretboard: practical fret markers redrawn as moments of flight.

The signature dove soundhole, cut directly into the spruce top.

Flying-dove inlays travelling across the solid-walnut fretboard.

White, walnut and steel. The walnut bridge and fretboard add a warm natural contrast without interrupting the calm visual story.

Six small turns

Measured tuning before the song begins.

The custom Lindo chrome machine heads carry an engraved “L” motif and use a 19:1 gear ratio. Each small adjustment has room to settle, giving the everyday act of tuning a smooth, controlled feel.

A two-way truss rod supports the neck beneath the surface, while the 43 mm bone nut marks the beginning of the string path.

Custom chrome machine heads with engraved L motif and 19:1 gearing.

When the room grows larger

The quiet guitar can travel further.

Played unplugged, the White Dove remains an acoustic guitar first. Beneath the saddle, a piezoelectric pickup waits for the moment the music needs to move beyond the room. The TOPS-4T preamp brings master volume, bass, middle, treble and presence controls together with a built-in chromatic tuner.

TOPS-4T preamp with four-band EQ, volume and chromatic tuner.

1/4-inch jack and balanced XLR outputs for the next setting.

Two practical routes. Use the jack output for an amplifier, or the balanced XLR output for a PA, mixing desk or audio interface.

Before it leaves Bristol

Someone plays the guitar before you do.

Each left-handed White Dove V2 receives a full UK setup before dispatch. Neck relief, nut height, action, frets, electronics and final playability are checked so there is as little as possible between opening the gigbag and playing the first proper chord.

Cosmetic checkPreamp testNeck reliefNut heightAction and fret checkFretboard treatmentTune-upFinal playability check

A full UK setup before the White Dove begins its next journey.

When it is time to go

A padded home between the chapters.

The supplied Lindo padded gigbag gives the guitar a place to travel, store and rest. A 9V battery for the TOPS-4T preamp and an Allen key are included, so the small practical details have already been considered.

It is a simple part of the story, but an important one: the guitar arrives with the things listed here, ready for the quiet five minutes that might turn into a song.

Padded gigbag, with 9V battery and Allen key also included.

Measure the silhouette

Dimensions and specifications.

White Dove V2 dimensions at a glance.

25.5″scale length

41″full-size length

90–105 mmbody depth

43 mmnut width

20frets

Specifications

Model	Lindo Left-Handed White Dove V2 Electro-Acoustic Guitar
Colour / finish	Satin white
Orientation / size	Left-handed · 41″ full size · 25.5″ scale
Body depth	90–105 mm
Top / sides / back	Laminated spruce top · linden sides and back
Neck	Catalpa · slim C-shape · two-way truss rod
Fretboard / bridge	Solid walnut
Frets / nut	20 frets · 43 mm bone nut
Strings	Medium-gauge steel strings
Pick-up / preamp	Piezoelectric pick-up · TOPS-4T four-band EQ and chromatic tuner
Outputs	1/4-inch jack and balanced XLR
Hardware	Chrome alloy machine heads · 19:1 ratio
Inlay / binding	ABS dove inlays · natural wood binding
Included	Padded gigbag, 9V battery and Allen key

Hear and understand

Two ways to meet the White Dove.

The original playthrough and TOPS-4T control guide are preserved as separate working videos: one lets the guitar tell its musical story, while the other explains the electronics that carry it further.

Official White Dove V2 demo and playthrough.

TOPS-4T guide: preamp controls and tuner explained.

The last note

WHEN A QUIET FIVE MINUTES
BECOMES A SONG.

At first it may be the white finish, then the bird-shaped soundhole, then one small dove after another. A little later, it simply becomes the guitar that is there when the player reaches for it.

The post Lindo Left Handed White Dove V2 Electro Acoustic Guitar and Padded Gigbag appeared first on Lindo Guitars.

Lindo Left Handed Swallow V1 Electro Acoustic Guitar and Padded Gigbag – Purple

wouary — Wed, 09 Sep 2020 09:50:00 +0000

A left-handed story in motion

PURPLE MOVES.
THE SONG FOLLOWS.

The Swallow begins before the first chord, with feather-inspired lines moving across a purple gloss surface. Then the smaller details arrive: a Dreamcatcher at the 12th fret, walnut beneath the fingers and a cutaway shaped around the left-handed player.

It is a full-size electro-acoustic guitar with an expressive visual character and a practical route from a quiet room to an amplified one.

Lefthanded by design

25.5″full scale length

20accessible frets

F-4Tpreamp and tuner

The first sweep of colour

Artwork that changes as the guitar moves.

The purple feather design does not sit quietly in one place. It follows the body, catches the light and changes with the angle of the guitar. The Dreamcatcher inlay offers a still point at the centre of that movement.

Beneath the artwork, a spruce top meets linden back and sides. The dreadnought cutaway keeps the familiar full-size presence while opening the upper end of the fretboard to the left hand.

Visual character with a practical foundation. A 41-inch full-size body, 25.5-inch scale and left-handed cutaway sit beneath the purple story.

The Swallow’s purple feather artwork changes with light and angle.

Where the hand travels

Walnut under the fingers, a landmark at the twelfth fret.

The solid-walnut fretboard and bridge bring natural grain into the graphic design. At the 12th fret, the Dreamcatcher inlay becomes a visual landmark; beyond it, the cutaway leaves the remaining frets open to the player.

A slim C-shape catalpa neck, 43 mm bone nut and compensated bone saddle complete the playing foundation without asking the visual story to become quieter.

A clear route along the neck towards the Dreamcatcher inlay.

Before the first chord

Small, familiar turns at the headstock.

The Swallow’s headstock continues the graphic language of the body. Matte-chrome alloy machine heads offer smooth, familiar adjustment, while the two-way truss rod supports the neck beneath the surface.

It is a practical starting point for the instrument: tune, settle the hands and let the artwork fall behind the music.

The graphic headstock and matte-chrome smooth-action machine heads.

When the room becomes larger

Shape the sound, then choose the exit.

The F-4T preamp combines master volume, a four-band EQ—bass, middle, treble and presence—and a built-in chromatic tuner with backlit display. The piezoelectric pickup then carries the Swallow beyond its acoustic voice through either a 1/4-inch jack or balanced XLR output.

F-4T preamp with four-band EQ and illuminated chromatic tuner.

1/4-inch jack and balanced XLR outputs for flexible connection.

One guitar, two clear routes. Connect to an amplifier with the jack output, or use balanced XLR for a mixing desk or audio interface.

The work behind the surface

Checked before the story leaves Bristol.

The workshop view brings the Swallow’s physical details closer: the graphic surface, cutaway and the route from bridge to headstock. Before dispatch, every instrument receives a full UK setup so the practical details are checked alongside the finish.

Cosmetic checkPreamp testNeck reliefNut heightAction and fret checkFretboard treatmentTune-upFinal playability check

The Swallow’s graphic surface and playing setup brought together before dispatch.

Ready for the next room

A padded place between one session and the next.

The included padded gigbag gives the Swallow a practical home for storage and travel. A 9V battery and Allen key are included too, so the listed essentials are there when the guitar begins its first proper session.

The bag is a quieter detail than the purple finish, but it belongs to the same story: an instrument made to leave the stand and go where the next song happens.

Padded gigbag included, together with a 9V battery and Allen key.

The practical chapter

Specifications

Model	Lindo Left-Handed Swallow Electro-Acoustic Guitar
Colour / finish	Purple gloss graphic-art finish
Orientation / size	Left-handed · 41″ full size · 25.5″ scale
Body depth	100–120 mm
Top / sides / back	Spruce top · linden sides and back
Neck	Catalpa · slim C-shape · two-way truss rod
Fretboard / bridge	Solid walnut
Frets / nut / saddle	20 frets · 43 mm bone nut · compensated bone saddle
Strings	Light-gauge steel strings
Pick-up / preamp	Piezoelectric pick-up · F-4T four-band EQ and built-in tuner
Outputs	1/4-inch jack and balanced XLR
Machine heads	Alloy with matte-chrome finish
Inlay / binding	ABS Dreamcatcher inlay · ABS binding
Included	Padded gigbag, 9V battery and Allen key

Hear and understand

Two ways to meet the Swallow.

The original performance session and F-4T control guide are preserved as separate working videos: one places the Swallow inside a song, while the other explains the electronics that carry it further.

Sessions performance featuring the Lindo Swallow.

F-4T guide: preamp controls and tuner explained.

The last note

THE COLOUR ARRIVES FIRST.
THE PLAYER WRITES THE REST.

The Swallow may begin with purple feathers and a Dreamcatcher, but its lasting story is the song that follows when the left hand finds its place.

The post Lindo Left Handed Swallow V1 Electro Acoustic Guitar and Padded Gigbag – Purple appeared first on Lindo Guitars.

Lindo Left Handed Dandelion Pink Slim Body Electro Acoustic Guitar

wouary — Thu, 03 Sep 2020 12:42:00 +0000

A left-handed wish carried on the wind

WHERE THE SEED
FINDS ITS PLACE.

A dandelion begins as something almost weightless. The Pink Dandelion takes that small natural idea and gives it a place to settle: a left-handed, full-size electro-acoustic guitar with a slim body, a soft rose-coloured flame and details that reward the second look.

It is special without becoming distant. The 80 mm body sits close, the cutaway keeps the upper register within reach, and the guitar remains ready for the ordinary moments from which songs usually grow.

Lefthanded by design

25.5″scale length

80 mmslim body depth

BS5Mpiezo + mic blend

The complete left-handed silhouette: pink flame maple, natural koa and a slim cutaway body.

The whole picture

Pink, with a natural edge.

The colour makes the first introduction, but the quieter details hold the eye: maple binding around the body, walnut beneath the fingers, abalone around the soundhole and a modern cutaway that keeps the line of the instrument moving.

From landscape to finish

A colour borrowed from the sand.

The pink flame-maple top was chosen to carry movement rather than a flat block of colour. It changes gently as the light moves, while the natural koa back and sides bring a darker, warmer contrast around it.

The Dandelion motif turns that material story into a visual one. Seeds appear to drift across the walnut fretboard; the bridge and rosette continue the same language without asking the guitar to become ornamental everywhere at once.

Look closely. Pink flame maple, koa, walnut, maple binding and abalone detail each have their own place in the composition.

The landscape behind the colour story: pink sand, light and natural movement.

Nature-inspired inlays travelling along the walnut fretboard.

Walnut bridge, abalone rosette and the meeting point of the strings and top.

At the far end of the string

Small turns, made with control.

The matching pink headstock carries the design beyond the body. Turn it over and the practical part of the story appears: chrome Wilkinson machine heads with a 19:1 gear ratio, giving each tuning adjustment room to be measured rather than rushed.

Matching pink finish, abalone detail and the Dandelion identity.

Chrome Wilkinson 19:1 machine heads viewed from behind.

When the room grows larger

Two sounds, blended into one signal.

The BS5M system begins with two sources: a piezoelectric pickup beneath the saddle and a microphone inside the body. The blend control lets their balance change with the setting, while the five-band EQ provides bass, low middle, high middle, treble and presence controls.

A backlit chromatic tuner sits alongside master volume, notch, phase and the blend control. At the output, a standard 1/4-inch jack and balanced XLR provide two direct routes towards an amplifier, audio interface, mixing desk or PA.

Acoustic first; ready to connect. The electronics are there when the guitar needs to move beyond the quiet room.

BS5M blend controls, five-band EQ and backlit chromatic tuner.

1/4-inch jack and balanced XLR outputs, kept together on the lower side.

Before it leaves Bristol

Someone plays the guitar before you do.

Each Dandelion receives a full UK setup before dispatch. Neck relief, nut height, action, frets, electronics and final playability are checked so the guitar arrives with the practical work already considered.

It may still need a quick tune after travelling. After that, the next chapter belongs to the player.

Cosmetic checkBS5M electronics testNeck reliefNut heightAction and fret checkFretboard treatmentTune-upFinal playability check

A full UK setup and playability check before dispatch.

A place to rest between songs

The journey has its own soft landing.

The supplied Lindo padded gigbag gives the Dandelion somewhere to travel, store and rest. An Allen key is included as part of the package, keeping the listed essentials together when the guitar begins its next journey.

Padded Lindo gigbag included with the guitar.

The clear view

Dimensions and specifications.

The design may begin with colour and movement, but the measurements are kept in plain sight. The cards below hold the essential dimensions; the full table gathers every verified specification from the original product page.

41″full-size length

25.5″scale length

80 mmbody depth

43 mmnut width

21frets

Specifications

Model	Lindo Left-Handed Dandelion Pink Slim Body Electro-Acoustic Guitar
Orientation	Left-handed
Colour / finish	Pink · pink flame-maple top
Size / scale	41″ full size · 25.5″ scale
Body depth	80 mm
Top	Flame maple
Sides / back	Koa
Neck / truss rod	Mahogany · two-way truss rod
Fretboard	Walnut
Frets / nut	21 frets · 43 mm bone nut
Strings	Light-gauge steel strings
Inlay / binding	Mother-of-pearl inlay · maple-wood binding
Machine heads	Wilkinson chrome machine heads · 19:1 ratio
Pick-up / preamp	Piezoelectric pick-up and internal microphone · ACME BS5M blend preamp
Controls	Volume, blend, bass, low middle, high middle, treble, presence, notch, phase and chromatic tuner
Outputs	1/4-inch jack and balanced XLR
Included	Padded gigbag and Allen key

Hear the instrument, understand the controls

Two original films, restored as two clear chapters.

The former page joined both YouTube addresses into one broken link. Both working videos are preserved here separately: first the Dandelion in a complete demo and playthrough, then a closer guide to the BS5M system.

Official Dandelion demo and playthrough.

BS5M guide: piezo, microphone blend and controls explained.

The last note

A SMALL SEED.
A PLACE TO GROW.

The Dandelion does not ask the player to choose between a distinct visual story and everyday usefulness. It keeps both close: a slim left-handed guitar, a pink landscape, a practical amplified voice and a quiet invitation to begin.

The post Lindo Left Handed Dandelion Pink Slim Body Electro Acoustic Guitar appeared first on Lindo Guitars.

Lindo B-STOCK Left Handed Neptune V1 Matte Black Electro Acoustic Guitar and Padded Gigbag (Cosmetic Imperfections)

wouary — Wed, 04 Mar 2020 15:31:04 +0000

B-stock condition, stated clearlyThese are brand-new guitars with cosmetic imperfections in the matte-black finish. The appearance varies from guitar to guitar and usually takes the form of some cloudiness. Function is unaffected, and every instrument is fully set up before dispatch.

A left-handed study in black

THE SOUNDHOLE
STEPS ASIDE.

The Neptune begins by moving one familiar circle away from the centre. That quiet change opens the face of the guitar, sharpens its modern silhouette and gives the player a closer relationship with the sound leaving the body.

This V1 keeps the idea direct: matte black, cream details, a left-handed cutaway and a full-size acoustic platform ready for a quiet room or an amplified stage.

Lefthanded by design

25.5″scale length

41″full-size length

F-4Tpreamp and tuner

The first outline

Black, quiet and deliberately off-centre.

The offset soundhole changes the familiar acoustic face without making the instrument difficult to understand. A spruce-laminate top provides the soundboard, linden forms the back and sides, and a mahogany neck carries the line towards the black headstock.

Cream ABS binding draws a clear edge around the body. The cutaway opens the upper register to the left hand, while the black-walnut fretboard keeps the visual story restrained.

Minimal, not empty. The Neptune uses proportion, contrast and one displaced circle to create its identity.

The Neptune V1 silhouette: matte black, cream edge and offset soundhole.

Where the hands meet the design

Two working surfaces, kept simple.

The black-walnut fretboard and bridge do not compete with the body. They continue the dark palette while the pale fret markers, saddle and bridge pins provide small, useful points of contrast.

Black-walnut fretboard with practical ABS position markers.

The bridge, strings and offset soundhole seen together.

When the room grows larger

A direct path from saddle to stage.

A piezoelectric pickup sits beneath the saddle and feeds the onboard F-4T preamp. Its controls bring master volume, bass, middle, treble and presence together with a backlit chromatic tuner, so the amplified sound can be shaped from the guitar itself.

The output module provides both a standard 1/4-inch jack and a balanced XLR connection. One leads naturally to an amplifier or audio interface; the other offers a direct route to a PA or mixing desk.

Two outputs, one instrument. The Neptune remains acoustic in the hands and becomes ready to connect when the setting changes.

F-4T preamp with four-band EQ, master volume and chromatic tuner.

Standard 1/4-inch jack and balanced XLR outputs.

At the far end of the strings

Black hardware, measured movement.

The Neptune headstock carries the matte-black language into a smaller frame. Lindo alloy machine heads, finished in gloss black and marked with the engraved “L” motif, use a 19:1 gear ratio so each small turn has room to settle.

The Neptune headstock seen from the front.

Black alloy machine heads with 19:1 gearing.

The complete left-handed form viewed from front, back and side.

Before it leaves Bristol

The cosmetic story ends at the surface.

B-stock describes the finish, not the function. Before dispatch, each guitar receives a full UK setup and a practical check of neck relief, nut height, action, frets, electronics and playability. After travel, it should need little more than a quick tune before the first proper chord.

B-stock cosmetic checkF-4T electronics testNeck reliefNut heightAction and fret checkFretboard treatmentTune-upFinal playability check

A place to rest between songs

The practical pieces travel together.

The supplied Lindo padded gigbag gives the Neptune somewhere to travel, store and rest. A 9V battery for the F-4T system and an Allen key are also included, keeping the listed essentials together from the beginning.

Padded Lindo gigbag, with 9V battery and Allen key also included.

The clear view

Dimensions and specifications.

The B-stock condition is stated above; the measurements and construction remain the same. The cards hold the key dimensions, while the table keeps every verified specification readable line by line.

41″full-size length

25.5″scale length

98–110 mmbody depth

43 mmnut width

20frets

Specifications

Condition	B-stock · brand new with cosmetic imperfections in the matte-black finish; function unaffected
Model	Lindo Left-Handed Neptune V1 Electro-Acoustic Guitar
Orientation	Left-handed
Colour / finish	Matte black
Size / scale	41″ full size · 25.5″ scale
Body depth	98–110 mm
Top	Spruce laminate
Sides / back	Linden
Neck / truss rod	Mahogany · two-way truss rod
Fretboard	Black walnut
Frets / nut	20 frets · 43 mm ABS nut
Strings	Medium-gauge steel strings (.011)
Inlay / binding	ABS
Machine heads	Black-finished alloy machine heads · 19:1 ratio
Pick-up / preamp	Piezoelectric pick-up · F-4T preamp with four-band EQ and chromatic tuner
Controls	Volume, bass, middle, treble and presence
Outputs	1/4-inch jack and balanced XLR
Included	Padded gigbag, 9V battery and Allen key

Four original films, separated and restored

Playthrough, controls, overview and performance.

The old page joined four YouTube addresses into a single broken link. All four working films are retained below as individual chapters, each with its own clear purpose.

Official Neptune demo and playthrough.

Left-handed Neptune product overview.

F-4T preamp and chromatic tuner guide.

Original live-performance film preserved from this page.

The last word

THE MARKS ARE ON THE FINISH.
THE MUSIC IS STILL AHEAD.

This B-stock Neptune keeps its original purpose intact: a left-handed, full-size guitar with a quiet modern silhouette, a practical amplified voice and a clear invitation to be played rather than merely kept perfect.

The post Lindo B-STOCK Left Handed Neptune V1 Matte Black Electro Acoustic Guitar and Padded Gigbag (Cosmetic Imperfections) appeared first on Lindo Guitars.

Left Handed Guitars | Lindo Guitars

Lindo B-STOCK Left Handed Purple Swallow V1 Electro Acoustic Guitar (Minor Cosmetic Imperfections)

THE SWALLOWSTILL HAS A STORY.

A purple finish with a point of view.

The Dreamcatcher waits at the 12th fret.

Simple tuning, a calm starting point.

Find the setting, then choose the exit.

A padded gigbag for the next leg of the journey.

Specifications

Two ways to meet the Swallow.

AN HONEST SECOND CHAPTER,READY FOR THE FIRST SONG.

Lindo Left Handed Neptune SE V2 Electro Acoustic Guitar with F-4T Preamp and Padded Gigbag

THE WOOD SETSTHE FIRST NOTE.

Full-size presence, shaped for the left hand.

Walnut in front. Mahogany behind.

An offset soundhole with something inside to discover.

Black locking tuners, measured one movement at a time.

Shape the voice, then decide where it travels.

Checked by hand, then prepared for the road.

Specifications

Two useful ways to meet the SE V2.

THE GRAIN BEGINS IT.THE LEFT HAND CONTINUES IT.

Lindo Left Handed White Dove V2 Electro Acoustic Guitar and Padded Gigbag

A QUIET SHAPE.A PLACE TO BEGIN.

White, but never plain.

A bird where a circle should be.

Measured tuning before the song begins.

The quiet guitar can travel further.

Someone plays the guitar before you do.

A padded home between the chapters.

Dimensions and specifications.

Specifications

Two ways to meet the White Dove.

WHEN A QUIET FIVE MINUTESBECOMES A SONG.

Lindo Left Handed Swallow V1 Electro Acoustic Guitar and Padded Gigbag – Purple

PURPLE MOVES.THE SONG FOLLOWS.

Artwork that changes as the guitar moves.

Walnut under the fingers, a landmark at the twelfth fret.

Small, familiar turns at the headstock.

Shape the sound, then choose the exit.

Checked before the story leaves Bristol.

A padded place between one session and the next.

Specifications

Two ways to meet the Swallow.

THE COLOUR ARRIVES FIRST.THE PLAYER WRITES THE REST.

Lindo Left Handed Dandelion Pink Slim Body Electro Acoustic Guitar

WHERE THE SEEDFINDS ITS PLACE.

Pink, with a natural edge.

A colour borrowed from the sand.

Small turns, made with control.

Two sounds, blended into one signal.

Someone plays the guitar before you do.

The journey has its own soft landing.

Dimensions and specifications.

Specifications

Two original films, restored as two clear chapters.

A SMALL SEED.A PLACE TO GROW.

Lindo B-STOCK Left Handed Neptune V1 Matte Black Electro Acoustic Guitar and Padded Gigbag (Cosmetic Imperfections)

THE SOUNDHOLESTEPS ASIDE.

Black, quiet and deliberately off-centre.

Two working surfaces, kept simple.

A direct path from saddle to stage.

Black hardware, measured movement.

The cosmetic story ends at the surface.

The practical pieces travel together.

Dimensions and specifications.

Specifications

Playthrough, controls, overview and performance.

THE MARKS ARE ON THE FINISH.THE MUSIC IS STILL AHEAD.

THE SWALLOW
STILL HAS A STORY.

AN HONEST SECOND CHAPTER,
READY FOR THE FIRST SONG.

THE WOOD SETS
THE FIRST NOTE.

THE GRAIN BEGINS IT.
THE LEFT HAND CONTINUES IT.

A QUIET SHAPE.
A PLACE TO BEGIN.

WHEN A QUIET FIVE MINUTES
BECOMES A SONG.

PURPLE MOVES.
THE SONG FOLLOWS.

THE COLOUR ARRIVES FIRST.
THE PLAYER WRITES THE REST.

WHERE THE SEED
FINDS ITS PLACE.

A SMALL SEED.
A PLACE TO GROW.

THE SOUNDHOLE
STEPS ASIDE.

THE MARKS ARE ON THE FINISH.
THE MUSIC IS STILL AHEAD.